Alain Lachance, VFX Supervisor

Co-Owner of Mokko Studio, Alain has made a name for himself as the go-to Visual Effects Supervisor. Working many years as an editor and digital compositor has provided Alain with a creative perspective that only few can match. Alain is renowned for his incredible work on countless high-end film projects including The Fountain, Across the Universe and Journey to the Center of the Earth 3D. He ensures that the final quality delivered to Mokko's clients is always of the highest standard.

< Back

Anthony Lamolinara, Animation Director

Anthony LaMolinara is a multi-talented animator, director, writer and sculptor who has won an Academy Award for his work on Spider-Man 2. Anthony began his peripatetic entertainment career in 1976 working in several countries including the US, Canada and Italy at world-renowned companies such as Pixar, VIFX (Twentieth Century Fox Digital Effects), Sony Pictures Imageworks and Digital Domain where he worked on the development of Avatar. Anthony's creative talent has led him to be involved as an animation director on an impressive array of high-profile movies of the utmost quality such as Toy Story, Stuart Little and Toy Story 3 to name only a few.

< Back

Tim Stevenson, VFX Supervisor

Tim's abilities as a VFX supervisor have been put to great use for a number of feature-length films. Tim brings talent and experience to each project he oversees, having worn many hats, working as an animator and animation director on exciting features and sophisticated ILM commercials. Tim's filmography is comprised of an impressive list of projects that showcase his extensive set of skills. These projects include Avatar, Happy Feet, Scooby Doo 2: Monsters Unleashed, Exorcist: The Beginning and Final Destination 3.

< Back

Arnaud Brisebois, Artistic Director

Arnaud's artistry shines through in the work he has provided for a number of high-profile motion-pictures, including the boundary- pushing 300, Fantastic 4, Catwoman and Slither. With a set of talents that includes matte painting and conceptualization, Arnaud helps sculpt a film's look, honoring the filmmakers' respective vision, ultimately aiding in bringing the story to life.

< Back

Benjamin Ribière, Compositing Supervisor

Benjamin has made his mark on a series of high-profile features. Well versed in compositing, Benjamin brings a hard-working attitude and straight-forward approach to each project that he works on. With a resume that includes projects from North America (Alexander, Sin City, 300, Sharkboy and Lavagirl 3D) and Europe (Les Daltons, Two Brothers), Benjamin can juggle many tasks while always providing the highest quality results.

< Back